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Big Screen Dreams
The curtain rises on homegrown talent at Local Filmmaker and
Community Night at Visions.
By Joe Flood
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Tuesday is the blah night of the week. It lacks neither the
existential pain of Mondays nor the “weekend is almost
here” exuberance of Wednesday and Thursday. Most Tuesdays
are forgettable – and for good reason.
But you can change all that. Make Tuesday your night to see
interesting movies and meet the fascinating filmmakers behind
them. Every Tuesday, Visions hosts Local Filmmaker and Community
Night, which are is designed to profile and support local
filmmakers and community organizations.
LFCN was previously known as Studio 650, which was founded
in 1998 by Atlantic Video and used to be held at the company’s
headquarters on
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Massachusetts Avenue. In February 2002, Studio 650 moved to Visions
and got a new name.
No matter what the name, these events are an integral part of Washington’s
moviemaking scene. They offer the chance for moviegoers to “get
involved with a local organization, see a selection from a filmmaker
in their hometown, and then meet the filmmaker,” says Heather
Huston, Marketing and Events Manager at Visions. Struggling filmmakers
get valuable exposure and the chance to be a star, at least for
a night. “It’s their chance to see their dreams on the
big screen,” she adds.
Visions, an independently owned theater, is devoted to bringing
independent, foreign and art films to the metro area. There’s
a snazzy concession stand that serves Mediterranean, Middle Eastern,
and Indian tapas, including some tasty pizzas and wraps. The bar
serves up a full selection of beer, wine, and mixed drinks, which
you can take with you into the theater.
Over the past year, LFCN has offered an eclectic line up of independent
movies and documentaries. One of the most popular features was “Washington
Interns Gone Bad” by writer/director Jason Buckley and a cast
and crew of local talent. This raucous political satire, which was
made for less than a thousand dollars, played to a packed house.
For his “intern exploitation” picture, Buckley used
locations around DC, including Adams Morgan, Malcolm X Park, and
the scenic alleyways of Shaw. The movie also features the contributions
of several Adams Morgan musicians, including Adam Kroloff of the
Captain Paradox band
Cultureflux hosted a popular Local Film and Community night for
Judwood.com, a hilarious documentary about two bickering brothers
and their hapless pursuit of dotcom dreams.
A question and answer session with the filmmaker follows each screening.
Filmmakers and audiences seem to benefit from this intimate setting.
“The questions from the audience enabled me to grasp how the
film was received,” says Ian Rummer, editor of Judwood.com.
“There is a buzz circulating about Judwood.com largely due
to the reaction it received at Visions. It confirmed my belief that
the film is entertaining and appreciated when it reaches an unbiased
grassroots audience. I am grateful for that opportunity.”
These Q&A sessions naturally spill over into the lounge afterwards,
where a lively crowd of local movie lovers enjoy drink specials
and a passionate discussion of cinema. “The Visions audience
has an appetite for cinema that transcends the Hollywood formula,”
adds Rummer.
Commenting on the busy Tuesday night scene, cinephile Scott Mueller
says, “It’s like a film festival every week.”
So, end the Tuesday blahs and add some movie magic to your week
with Local Filmmaker and Community Night at Visions.
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Joe Flood is a starving writer cursed to live only blocks from
Fresh Fields. He's lived long enough in DC to know that you stand
to the right and talk like you're on the left. When he's not writing,
or watching "Blind Date," Joe enjoys drinking free booze
at art gallery openings.
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