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Teaching to the choir
Ed's knee-deep in teachers, tutus, and thoroughbred TV stars
By Ed Spitzberg
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Every Friday afternoon, I leave my "day" job at
Arena Stage and go teach singing to two-dozen little ballerinas.
Not only am I the first vocal teacher at this local ballet
school, but I am also their first-ever male employee. I'm
breaking the glass ceiling for men everywhere.
Before my first class, we had a training session for all
of the teachers. We all sat down on the studio floor around
quilted tea-party blankets. The education director started
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out by handing out the employee manuals, while apologizing to me
for the repeated use of the pronoun "she," referring to
teachers within the book. She then went on to explain proper teacher
attire (a matching leotard and skirt, but, "Not you, Ed"),
proper makeup ("Not you, Ed"), and proper hairstyle (up
in a bun, but given my clean-shaven scalp, "Not you, Ed.")
The meeting ended with a demonstration of how to make a good bun
(make sure you use a hair net that matches your hair color!).
I was excited for my first class, although something dawned on
me. The girls referred to all of the other teachers as "Miss
Jennifer" and "Miss Amy." It didn't take me long
to figure out what they would be calling me
Luckily, no one under age 10 has heard of a certain talking horse,
so every week, I walk into class to a chorus of little girls shouting,
"Mr. Ed! Mr. Ed!"
Of course, I was hoping that one of the perks of being the only
guy at a dance studio would be my fellow teachers. Since I'm only
there one day a week and am in my studio the whole time, there's
not a lot of opportunity to take advantage of that particular perk.
When I heard there was an employee holiday party, however, I got
kind of excited. I mean, gorgeous 20-something dancers, alcohol,
and I'm the only guy. That's enough right there.
Then I found out it was hot tub party. Really. A hot tub party.
So, for those with addition problems, let me complete that earlier
sentence: Gorgeous 20-something dancers in bikinis, alcohol, a hot
tub, and I'm the only guy.
Alas, my luck isn't nearly that good. (I didn't win Powerball,
either.) The problem with working two jobs is that you usually have
to work through each job's parties, and that was the case here:
The school's office party was the same night as opening night of
South Pacific at Arena, and I needed to greet donors.
Let me tell you, I came very close to quitting my Arena job that
night. But I need money to court 20 bikini-clad dance teachers,
so I kept both jobs
which is good, because I'm really enjoying
teaching the tutu-wearing tots. While I certainly love the traditional
teacher thingsthe reward of seeing them learn, the kids' smiles
every week, the parents' appreciation for teaching themwhat
I really look forward to are the non sequiturs. A typical
exchange:
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Mr. Ed: |
Make sure you stand in good
singing position, ladies.
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Little Girl in Tutu: |
Mr. Ed?
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Mr. Ed: |
Does your question have to do with the
topic at hand?
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Little Girl in Tutu: |
Ummmmm
yes.
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Mr. Ed: |
What is it?
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Little Girl in Tutu: |
I, ummm, was talking to my brother
yesterday, ummmmmm
and I fell and skinned my elbow, and,
ummmm, I brought my music this week.
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Mr. Ed: |
Uh, okay, thank you |
So it's going well. Now I just have to talk the other teachers
into having a President's Day office party
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Ed Spitzberg works too many jobs and gets easily confused. He
recently tried to teach Arena's trustees how to sing "Tomorrow"
and asked the kids at the ballet school to give their lunch money
to support great theater. He needs sleep. Contact Ed at ed@cultureflux.com
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